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Hyper reality refers to the situation where the real and the fiction things are combined to make the audience understand the theme of the art. In fact, hyper reality allows artists to blend the reality and the fiction to an extent that the audience cannot distinguish between the two. In the current world, people are accepting the simulated world of reality. The line between altered presentation and reality is blurred. In the two short stories, Los Angeles: The Architecture of Four Ecologies and The City of Robot, much of the reality has been mediated. The authors of the two stories have shaped and processed reality to fit in their specific narrative structure.
In the two short stories, hyper reality takes the form of reality by substitution. The authors take other peoples form of reality as if it is their own. The stories relate to the extreme theatrical relationship as if they are real. The authors judge the situations and social relationship by the heightened reality lens. In Los Angeles: The Architecture of Four Ecologies, there was a thing, the atmosphere in the seventies, as the US architect Robert Venturi travelled west to the American popular badlands culture. Venturi realized a liberating illegitimate Esperanto of denotation in Las Vegas. Banhams primary subject and spiritual home suited Los Angeles, California. In the place famously schooling to drive as he articulates it, to read Los Angeles in the original, he tracked roots of what is currently known as call spread, or less snipingly and more suitably, polycentric urbanism. Similarly, the novel about Robot City starts revolving around one man without memory of the person he was. However, he believes he may be referred to as Derec after the name- insignia he is bearing. Derec travels and meets one more mysterious individual referring to herself as Katherine, whose real name turns out to be Ariel.
The authors of Los Angeles: The Architecture of Four Ecologies and The City of Robot reveal that most people in the modern culture live in hyper reality state. Often, the characters in the stories are engaged with the hyper real world more than the reality. The Architecture of Four Ecologies offers both an antiquity of Los Angeles and the cheered review of its hitherto mainly ignored Postmodern and Modern architectural qualities. The four ecosystems are simple divisions of the geomorphology of city and car-founded culture that alternatively structures the volume. There was little in the Banhams examination that is environmental in current terms. Banham means environment in the intellect that various infrastructures create specific architectural objects, and growth patterns are best comprehended in association with that bigger condition. Consequently, he describes the way, with which audacity LA grew after the first capture of the Owens Valley water. It is a novel that fodders its paradisiacal misunderstandings to this generation. It was the network of the Pacific Electric Railway and afterwards the freeways that allowed LA to develop the atrocities beauty of today. Additionally, in the City of Robots, together the two negate their responsibility in the outward murder of humans whose personalities are not recognized by robots. Fleeing an escalating risk Robot City, Ariel and Derec journey to the universeto get the city’s architect, the stupid Doctor Avery and learn their real characters. As the succession progresses, both Derec and Ariel are constantly asked to oppose more queries as the ancient ones are replied, all of that always appears to link with the City of Robots.
Los Angeles: The Architecture of Four Ecologies and The City of Robot exploit hyper reality with the use of pseudo-world to allow the characters to be who they want to be. For Banhams Los Angeles: The Architecture of Four Ecologies, freeways are one of the bigger functions of a man. He even likes the fortifications of the off-slopes as pleasant perspectives for the adjacent flatland of conurbation, where the dreams that the illusion grips still. However, in visiting one will get the most current casualties of universe capitalism camping in these wastelands of Ballardian. It is through visiting snobs that one can observe an apocalyptic dystopia. The City of Robots series creates much utilization of the Robotics Three Laws and their interactions and interpretations when trading with obscure circumstances like the priority or levels in conflicting tips: a human beings brain in the robot body, and the laws concern non-human. It also discourses, in passing, variance of the First Law interpretations known as the difference between psychological harm and physical harm.
In conclusion, the authors of Los Angeles: The Architecture of Four Ecologies and The City of Robot have utilized hyper reality in their stories to make the audience understand their themes. Hyper reality is the art of combining reality and fiction to an extent that the audience cannot distinguish between real world and fiction. The authors use substitution to put the hyper reality in place. They make the audience live in the hyper reality world at the expense of the real world. They also use of pseudo-world to allow the characters to be who they want to be.